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Sin and Syntax: How to Craft Wickedly Effective Prose | 
| Author: Constance Hale Publisher: Broadway Category: Book
List Price: $14.95 Buy New: $10.17 You Save: $4.78 (32%)
Rating: 27 reviews Sales Rank: 23441
Media: Paperback Number Of Items: 1 Pages: 320 Shipping Weight (lbs): 0.9 Dimensions (in): 8 x 5.3 x 0.9
ISBN: 0767903099 Dewey Decimal Number: 808 EAN: 9780767903097
Publication Date: March 20, 2001 Availability: Usually ships in 24 hours
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Amazon.com Review You gotta love a grammar guide that calls verbs "moody little suckers" and adverbs "promiscuous." Constance Hale (Wired Style) relishes prose that is deliberate, beautiful, and bold. Go ahead and break the rules, she says; just know the rules first, and know why you are breaking them. In Sin & Syntax, Hale examines the elements of grammar from four angles: the "bones" (the grammar lesson), the "flesh" (the writing lesson), "cardinal sins" (what she calls "true transgressions"), and "carnal pleasures" (the beauty that results from either "hew[ing] exquisitely to the underlying codes of language," or not). For illustration, Hale hails Walt Whitman and Roger Angell, and rails upon Alexander Haig and the Gump's catalogue. She hauls in Joan Didion to make a case for writing in the first person, Mark Twain to promote the killing of adjectives, C.S. Lewis to advocate showing rather than telling, and Loudon Wainwright III to lament the abuse of the word like. But Hale has no problem making her own points. "Euphemisms," she says, "are for wimps." She dismisses a particularly heinous example of scholarly prose as "a bunch of big words thrown into an Osterizer." Even other grammarians don't escape her derision: "Get a grip," Hale says. "Hopefully as a sentence adverb is here to stay." But what distinguishes Sin and Syntax most is its enthusiasm for prose that takes risks. "Even if you have to check with a lawyer," says Hale, "isn't a kick-ass piece of writing worth the effort?" --Jane Steinberg
Product Description Today’s writers need more spunk than Strunk: whether it's the Great American e-mail, Madison Avenue advertising, or Grammy Award-winning rap lyrics, memorable writing must jump off the page. Copy veteran Constance Hale is on a mission to make creative communication, both the lyrical and the unlawful, an option for everyone.
With its crisp, witty tone, Sin and Syntax covers grammar’s ground rules while revealing countless unconventional syntax secrets (such as how to use—Gasp!—interjections or when to pepper your prose with slang) that make for sinfully good writing. Discover how to:
*Distinguish between words that are “pearls” and words that are “potatoes”
* Avoid “couch potato thinking” and “commitment phobia” when choosing verbs
* Use literary devices such as onomatopoeia, alliteration, and metaphor (and understand what you're doing)
Everyone needs to know how to write stylish prose—students, professionals, and seasoned writers alike. Whether you’re writing to sell, shock, or just sing, Sin and Syntax is the guide you need to improve your command of the English language.
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| Customer Reviews: Read 22 more reviews...
unbelievable--a grammar book that's fun to read! September 30, 1999 29 out of 31 found this review helpful
This book was recommended to me by a friend, and I have to admit that I was at first reluctant to pick it up. But I do like to write, and I figured that there might be some helpful information in the book for me. I was SO SURPRISED to find that I was actually enjoying reading the book! Hale's writing is so fun, and the examples she uses are great. You can tell from the title--SIN AND SYNTAX: How to Craft Wickedly Effective Prose--that this is going to be more exciting than Strunk and White, which I suffered through in high school. Not only will it help you improve your writing--with real world application for careers and the like, not just for students--but you'll have fun reading. Believe it.
A "Must-Read" for every writer! May 29, 2000 25 out of 25 found this review helpful
This book is probably one of the best grammar books out there, and it is absolutely a "Must-Read" for every writer (fiction and nonfiction, also journalists should read through it). The author is clear and precise in her explanations of grammatical concepts and possibilities, and she makes grammar fun. Some conventional approaches to grammar are challenged in this book, but the author Constance Hale--who currently teaches at U.C. Berkeley--is a qualified professional in her field. She's a maverick and she offers a healthy dose of motivation to be creative with your use of grammar in the new millenium. This book can really help to equip a writer with this certain edge in his or her writing projects.
Grammar . . . and so much more! July 24, 1999 22 out of 23 found this review helpful
It's not often that a grammar book causes grins, giggles, even guffaws, but Constance Hale's Sin and Syntax is not an ordinary grammar book. The entertaining examples, from sources as diverse as Mark Twain, the Bible and wine bottle labels, illustrate the "bones," "flesh," "cardinal sins," and "carnal pleasures" of each grammatical point. After Sin and Syntax, I read children's books from a new perspective. Good preschool books are often peppered with action verbs, strong adjectives and elegant simplicity. Best of all, this grammar book inspired me to start writing again! Choosing the right word is now a puzzle to be solved, and creativity oozes from every email I send.
WHERE WAS THIS BOOK WHEN WE WERE KIDS? March 20, 2000 21 out of 22 found this review helpful
SIN AND SYNTAX should be a text in high school English classes. A generation of enthusiastic grammarians might rise up and wipe out the scourge of dangling modifiers. The mystery of lay and lie would be be solved at last. I teach adults how to turn their great ideas into the novels they've always wanted to write; and while the refinements of plot and character and theme are fairly simple to explain, grammar and syntax bedevil student and (this) teacher alike. But no more. With humor, clarity and excellent contemporary examples, this book helps me explain to my students why, after half a dozen rewrites, their sentences still sing off key, why I nag them about details, why some adjectives work and others just take up space on the page. A great resource book.
A hip, funny and fabulous book on writing and language. June 18, 1999 21 out of 23 found this review helpful
Ten years ago I flew to Richmond VA to visit my cousin Phyllis who was dying of cancer. I hadn't darkened the door of church for double that time. But in the spirit of love and farewell, I went to church with Phyllisuncertain about my relationship with God, but certain I would draw comfort from the familiar poetry of the traditional Episcopal service. Imagine my horror when I began to recite the Apostles' Creed and found that I was out of sync with the entire congregation. By the time we came to the Lord's Prayer, the harsh reality of the situation had dawned on me. A bunch of ecclesiastic marauders had hunted down and rooted out every last tendril of poetry in the Book of Common Prayer.Imagine my delight when Sin and Syntax arrived at my door and I found Constance Hale's none-too-kind reference in the rhythm section (heh-heh) of her book to the modern revisions of the Book of Common Prayer.As a writer and a lover of language, I guarantee that Sin and Syntax is an absolute delight. It's witty, pithy and amusing. It's clear, concise and intelligent. I appreciate Hale's sections on rhythm and melody, and admire how she combines a back-to-basics perspective with a look-to-the- future attitude.I recommend this book for anyone who is interested in good writing.
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